Five Key Concepts -
Multicultural Characters and Themes
History of Race Relations
Importance of Community
Commonality of Problems Throughout Cultures
Importance of Childhood Problems
Five Essential Questions -
How do my traditions compare to those in other cultures?
How does our community compare to those years ago?
How can I relate to people of other ethnicities?
What can I learn from different people?
What do I find interesting about other cultures?
Artist's Block
Sunday, November 20, 2011
Wednesday, November 16, 2011
Modern Artist, Identity
Illustrator: Ezra Jack Keats
Keats is a modern artist who writes about the identity of African-American children. He raises questions about what communities and people from this sort of culture look like.
Thursday, October 13, 2011
Application Portfolio
"That Hairstyle is Outta This World"
Pen, Watercolor
Acrylic, Pencil, Pen, Tissue Paper
Collage, Acrylic
"Meercat Family Portrait"
Pen, Pencil, Watercolor
Charcoal
Ink, Pencil
"Poison Dart Frog"
Collage
Gouache
Ink, Gouache
Ink, Gouache
Gouache
Pen
"Heroic Fruit"
Oil
Oil Pastel
Big teeth, bear claws and bold colors, oh my! These are all ingredients that
wriggle their way into my paintings and drawings that focus on matters of
whimsy and the imagination, as well as the relationship between people and all
types of creatures. My work finds its roots in two very different areas. First, I like
to create for the benefit and enjoyment of others. I like to amuse people as well
as intrigue them with how I pair up images in a collage-like style. Second, I like
to create work as a cathartic process also using images of people and animals.
Through these drawings, I hope to convey a storyline that can be identified with.
Above all else, I strive for my artwork to connect with others in some way, no
matter how small.
Wednesday, September 21, 2011
Environment Exploration
A. I am working in the city of Albany. It's very diverse and has it's richer and poorer areas but its streets are increasingly being dotted with "For Sale" and "For Rent" signs. To put it simply, people are leaving Albany. I think that these abandoned and, in many cases, dilapidated buildings characterize the dynamism I have always seen in Albany. On one hand, there are these beautiful buildings but, on the other hand, there is massive depression.
B. I am exploring the relationship between people and their changing and struggling city and the relationship between the beauty and decay in Albany.
C. I plan to investigate this space through drawings, paintings and photography.
D. I am still in the process of discovering different artists from whom to draw inspiration. I was thinking of investigating different artists involved in the W.P.A.
E. I want to collaborate several different media at this point as a collage using Photoshop and different technologies, perhaps printmaking, or as a physical collage with different medium on the same surface.
B. I am exploring the relationship between people and their changing and struggling city and the relationship between the beauty and decay in Albany.
C. I plan to investigate this space through drawings, paintings and photography.
D. I am still in the process of discovering different artists from whom to draw inspiration. I was thinking of investigating different artists involved in the W.P.A.
E. I want to collaborate several different media at this point as a collage using Photoshop and different technologies, perhaps printmaking, or as a physical collage with different medium on the same surface.
Trimis and Savva Questions
1. How can classes in unsafe neighborhoods learn in their chorotopos?
2. How can technology be incorporated when learning about an environment?
3. How would the lessons in the readings be different with older students?
4. How could you globalize these hyper-local lessons? Should you?
5. How important is it to show the work of established artists as inspiration before working in their chorotopos?
2. How can technology be incorporated when learning about an environment?
3. How would the lessons in the readings be different with older students?
4. How could you globalize these hyper-local lessons? Should you?
5. How important is it to show the work of established artists as inspiration before working in their chorotopos?
Monday, September 19, 2011
Kerlavage:
-
Make
marks and lines that are unrecognizable to adults but have meaning to
themselves and show initial attempts to represent their world visually
-
Uncontrolled
mark-making is primarily kinesthetic and usually unintentional
-
Recognize
color but don’t use it with forethought
-
Begin
to identify their marks and name them and make up stories about them
-
Develop
fine motor skills which give them a better control of tools
-
Progress
towards making recognizable visual symbols
-
Age
2, Unaware of the marks they make but react to external stimuli
-
Limited
attention span so they work quickly in spurts
Swann:
-
Teachers
need to emphasize intellectual and expressive values of experiences with
materials
-
Prefer
materials that respond to the touch or have bright colors
-
Enjoy
mixing colors and finger painting, the physical and sensor qualities of a
medium
Implications:
-
Speak
with the students about what they’re drawing in order to gain a greater
understanding of their thought processes.
-
Need
to provide many different types of mark-making tools so the student can become
familiar with them
-
Incorporate
lessons that associate colors with different meanings
-
Encourage
storytelling through the lessons
-
Provide
types of art supplies that vary in size and shape to improve dexterity
-
Encourage
making symbols in different media
-
Use
media that create external stimuli, like banging or squishing, to engage the
student
-
Have
several different activities ready with short clean-up times
-
Create
lessons that pair up a traditional skill with an artistic skill that helps
express it
-
Provide
materials that engage the students interests
-
Use
materials that have unique textures
Thursday, September 15, 2011
Environmental Project
For this project, I'd like to explore the concepts of housing and housing abandonment in the city of Albany. The city is one of the most heavily abandoned in recent years, with boarded up windows and doors everywhere you look. I would like to take a deeper look at this messy issue and juxtapose it with images of the beautiful architecture that characterizes Albany for me. I will take a multi-media approach and use photographs and digital media, as well as paints and markers. Through this, I hope to illustrate what I love so much about Albany as well as the serious issues that plight its streets.
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